Sambhal, Uttar Pradesh: In a landmark judgment that has sparked nationwide discussions, the Allahabad High Court has approved the painting and restoration of Sambhal’s Jama Masjid, striking a delicate balance between heritage preservation and religious sentiments.
The court’s decision, announced recently, comes with strict conditions, including the formation of a three-member committee to oversee the entire process. This committee will consist of an official from the Archaeological Survey of India (ASI), a scientist, and a local administrative officer, ensuring the mosque’s structural integrity remains unharmed during the restoration.
The verdict emerged after the mosque committee, represented by lawyer Furman Naqvi, raised concerns about the long-overdue maintenance of the historic site. Naqvi emphasized an existing agreement that allowed for cleaning and minor repairs, a stance supported by the ASI during the proceedings.
However, the move faced strong opposition from certain Hindu organizations, represented by lawyer Harishankar Jain, who argued that the restoration could conceal or damage Hindu artifacts believed to be part of the mosque’s history.
Acknowledging these concerns, the High Court ordered that the entire restoration process be meticulously videographed. This step aims to ensure transparency and address any fears regarding the potential erasure of historical elements. The court stressed that the restoration should not compromise the mosque’s historical or cultural significance.
The three-member committee will conduct an immediate site visit to outline the restoration’s scope and guarantee careful execution, with constant documentation at every stage.
This judgment is being viewed as a thoughtful attempt to foster mutual understanding. It reflects the court’s resolve to safeguard India’s shared heritage while respecting the sentiments of both communities.
Sambhal’s Jama Masjid, now at the heart of a broader national conversation, stands as more than a place of worship — it is a symbol of the country’s layered history, where faith and antiquity coexist.
